It’s a series of great vignettes, written well, with wonderful and
thorough research. It documents some of
the taming of the American West, which is a gaping hole in American
literature. All we have previously had
is shoot-em-up Westerns. Filling this
gap is why it merited a Pulitzer Prize.
There are two thin
plot-lines:
(1) Two mismatched
people, sacrificing their lives to the other’s desire for no good reason. It reminds one of O’Henry’s, “The Gift of the
Magi”, without the moral ending; a tragic ending in Stegner’s tale.
(2) The other tale, not
nearly so interesting, is the ramblings of an old, lonely man. He is trying to accommodate rationalizing his
self-sorry state with family history, and the world that has passed him by.
It’s a
good documentary, but no one has picked up the ideas for a dramatic movie, TV
show, or documentary in over forty years now.
It’s a tragic family story, with no redemption.
Some of the best
scene-scripting of any movie never made was captured in this book:
(a) Susan’s descent into
the New Almaden mine
(b) Susan’s ascent over
Mosquito Pass getting to Leadville
(c) The dreams of Lyman
Ward
The early scenes of San Jose, Grass
Valley and San Francisco are treasures for those of us who have grown up around
the Bay Area. Stegner’s descriptions of
the sights, sounds, smells and people in those days 60-70 years before I came to California are
inspirational to me. I am also reminded
that 60-70 years ago was when I did
come to California.
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