Friday, November 7, 2014

The Kraken Project by Douglas Preston


 
Anthropomorphic computers: all of us Sci-Fi freaks are always seeking authors to follow in the giant footsteps of Isaac Azimov.  This novelist, Preston, creates a believable story.  Some people might opine that “Dorothy,” the Kraken computer is a book version of “Samantha,” last year’s star of “Her,” a movie with Scarlet Johansson playing the voice of the computer entity. 

  

Kraken has much better plot development.  Partially that’s because it’s set closer in time to today; but also Preston is a better writer than the screenplay writer for “Her.”  The characters and sub-plots were far more realistic.

  
 

Melissa is the computer programming project leader for a NASA type mission that is sending a probe to Saturn’s moon, Titan.  The probe needs a computer that has advanced Artificial Intelligence (AI).  In the initial live, lab simulation test, Dorothy goes rogue, “thinking” “she” is on Titan.  “She” escapes into the cloud.

  
Concurrently, two Wall Street bad guys were vowing vengeance on competitors in their business of high-frequency, algorithmic (Algo) securities trading.  So, good guys, bad guys, governments and lowly programmers were all searching for Dorothy.  This while Dorothy was learning the vast scope of human knowledge available through the Internet; mostly things that weren’t part of her NASA training.  She evolves, as always happens with anthropomorphic computers; and eventually becomes benignly God-like.
 

The ending is predictable, but pleasing.
 
It was a pleasant read throughout its 350 pages.

Friday, October 17, 2014

The Orchardist by Amanda Coplin

 

Shades of Wendell Berry, the July 2004 Brown Bag Book selection. 

It takes a while to get into the slow pace of action.  That was my comment about the old Jayber Crow book by Berry.  In our modern urbanized world and as it was for Aristotle, 24 hours is sufficient for a book, movie or TV drama to take place.  In my life’s experience, this was not always the case and I prefer my Greek tragedy Euripidean.  It’s nice to take the pace down a bit now and then.  Reminds me of tide-pooling in Carmel, which I used to do with my grand-kids. 
     You come up to the perfect pool, and all say, “There’s nothing there!”  They’re expecting a twenty-pound salmon to be flopping in the water.  But soon, someone sees a starfish move, or a mussel.  Then maybe a crab or shrimp scurries along; a sea anemone moves with the tidal water flow.   Baby fish become apparent, and snails:   the water is teeming with life,
       we just had to slow down enough to notice it all.

The characters of this book: Talmadge and Della, Clee and Angelene are all quiet people; by heritage bound to the land.  They are some of the strong, silent pioneers of the NorthWestern Territories.  I like to think of my mother (nee Frances Blanche Cox) and her parents as Midwestern pioneers, editing and publishing a county newspaper in rural Nebraska over a hundred years ago.  Pioneers try to enjoy simple lives.  They are not simple people.  Their lives are as filled with money, sex, growth, temptations, evil and heartache as any modern city dweller, even you and I.
They are our heritage as Westerners.  This is a tale of which we want to be a present day part.  We admire their handling of adversity; the avoidance of violence; the extended helping hand.  We also admire their almost Buddhist view of life and death, it comes with living off the land.


For me, this book tells the story of “The Valley of Heart’s Delight”.  I entered San Jose in the Santa Clara Valley sixty-six years ago.  The springtime view from the surrounding foothills was an impressionist painting of billions of flowers: cherry blossoms, plums, walnuts, apricots, almonds; thousands of acres of colorful and fragrant flowers – the valley smelled sweet.  As a youth, I picked berries and nuts, later worked in a canning factory.  It was the Garden of Eden, or so I wrote a few years ago[1].

The referenced video below describes my Santa Clara Valley.  I know all these sites, all the companies:  it is my home-town[2].

 

So, this Orchardist book lulls the reader into a serene Nirvana, then before you realize it, transforms you into a Joyce Carol Oates type of deeply introspective horror story with everyone going crazy.  You, the reader, shake your head free of the soporific effects of apricots & walnuts as the remaining pages grow slimmer.  This has been classic Greek Tragedy: prologue – the Talmadge family, soon to die out;  3 episodes – Della’s story, then Angelene’s, and finally Exodus - the story ends.  And, the Gods are in charge of all the action.  It’s a 400-page excellent read.



[1] I woke up one morning in The Garden of Eden.  My mother was there and she told me to go outside and play all day while she unpacked our things.  It was already hot that day; 10:30 am and it was already 80° in San Jose.  Bulldozers had hurriedly scrapped the earth around our new tract house, so right out the back door there was a thirty foot DMZ and then the orchards.  The nearby orchards had been neglected for the year or so that it took to build the first wave of our tract.  They were doomed to go in the next wave.  Right on the edge of the plum orchard directly behind our house was a mature broadly sweeping tree with huge leaves that looked exotic, like I imagined palm fronds.  The tree was heavily laden with dark purple or black pear shaped fruit
… …
Back in the house my mother told me this thing was a fig and that it was okay to eat if I washed it.  Back at the fig tree, I pulled a big fat one off and wiped it on my T-shirt.  It was hot and when I bit in, it exploded in my mouth, almost with effervescence, like it had been fermenting.  Figs from the store are nothing like the ones you pick straight from the tree on a hot summer day.  Dried, they are too chewy because there's more skin than pulp.  Cold, they are too fleshy and disgusting, like eating a piece of raw animal.  But big and hot and ripe, the fig fills you with a feeling of euphoria like the food of Gods.
 
 


 

Tuesday, October 14, 2014

Awake in The Garden of Eden by Peter Andrews


I woke up one morning in The Garden of Eden.  My mother was there and she told me to go outside and play all day while she unpacked our things.  It was already hot that day; 10:30 am and it was already 80° in San Jose.  Bulldozers had hurriedly scrapped the earth around our new tract house, so right out the back door there was a thirty foot DMZ and then the orchards.  The nearby orchards had been neglected for the year or so that it took to build the first wave of our tract.  They were doomed to go in the next wave.  Right on the edge of the plum orchard directly behind our house was a mature broadly sweeping tree with huge leaves that looked exotic, like I imagined palm fronds.  The tree was heavily laden with dark purple or black pear shaped fruit.  I'd never seen a fig tree before and I didn't even know what a fresh fig looked like.  At best I knew it was something that was ground up and stuffed into sweets.

We had just arrived in the Valley of Hearts Delight after a cross country permanent move, on spec by my father, to find his fortune in California.  They pulled me our of school two months early and after motel-ing for a while, we had settled into a rented tract home for the Summer.

I knew no one out here.  My fellow fourth grade boy friends in Detroit were in another world, impossibly far away.  Jim, Dick, John, and I ran in a pack and continually got in trouble together and I was their leader.  The two neighbor girls down the street had just turned ten and eleven and that Spring they had been teaching me how to play Doctor.  We would do this in the basement of our Moran street house.  One of the sisters would stay on lookout while the other one and I would play "full checkup."  We kept looking for whatever it was the parents were scared we would find, but we never did find it.  It seemed to be a lot of fun looking though and I felt very alone without my friends and no new ones to be found until September, two months away.

Back in the house my mother told me this thing was a fig and that it was okay to eat if I washed it.  Back at the fig tree, I pulled a big fat one off and wiped it on my T-shirt.  It was hot and when I bit in, it exploded in my mouth, almost with effervescence, like it had been fermenting.  Figs from the store are nothing like the ones you pick straight from the tree on a hot summer day.  Dried, they are too chewy because there's more skin than pulp.  Cold, they are too fleshy and disgusting, like eating a piece of raw animal.  But big and hot and ripe, the fig fills you with a feeling of euphoria like the food of Gods.

Like any fourth grade boy in those days, I was innocently fearless and insatiably curious, and so I began my summer of wanderings through the orchards of San Jose.  Living all my life in a city, I was immediately immersed in such solitude that I would roam from sunup to sundown and rarely see another living soul.  The joy to me was the fecundity of the land around there.  Around the ugly scar of our rock and cement-droppings back yard, I found wild tomato plants, sprouted from the seeds of construction worker's left over lunches.  They sprouted without any tending and produced the most beautiful fruit.  The heat, though, of the California summer adds both to the aroma and the taste.  The smell of tomato plant when you crinkle a leaf or two still drives me wild with memories.  The taste of those small, hot tomatoes was rich and filling; in with one bite and chewed with two more.  All the fruit around me then was much smaller than the things you get in stores today.  Plums and tomatoes are sold by the pound.  If you can make them hold more water, then you can profit 89¢ a pound for virtually free irrigation water.

Beyond the fig tree was an orchard of plums.  The ground below each tree was strewn with rotting plums, but there still was limitless supply in the trees.  The sweet smell of these wasp-covered rotting plums was delicious.  It made my mouth water and I had to learn, the hard way, to control my daily intake of ripe plums.  They were tiny and you could pop the whole thing into your mouth.  Just picture all the flavour of one of those giant plums you get today concentrated into a piece of fruit a quarter the size, without irradiation and chemicals and poisons added in.  Since they fit into the mouth whole, the trick was to bite across the broadest part of the fruit.  They were ovoid in shape like a partially flattened egg with a seam.  You bit on this seam and the plum would split in two.  Then you could extract the pit, still in your mouth and spit it out.  If the plum was properly ripe, the pit would separate easily.  I was so in tune with the earth as the weeks passed by that periodically I would run into a large mound of freshly bull-dozed dirt and I would strip off and bury myself in it up to my arm pits, just to feel the earth in touch with my body.

To balance the sugary aspect of this daily diet, there were walnuts and almonds.  It took a bit of learning to be able to harvest a walnut.  The skin is thick and light green if you pull one off the tree.  The juice in the skin is so strong that it will stain your hands and it takes days to work it off.  If the green skin completely seals the nut shell, you can't really get it off; it's bonded to the shell.  You have to wait for the skin to dry out and fall off, but once the shell is on the ground with no skin you can't tell how old the walnut is.  So best is to spot a withered skin that can be easily flicked away.  Next you have to crack the shell.  Never try it in your mouth, it will crack teeth.  You place the walnut between the bases of your two palms, like you're praying.  You want the seams between the two halves of the walnut shell in contact the your palms.  You can interlock your fingers for more leverage, and then squeeze and the walnut will split in two.  If the walnut meat is too green, it's chewy and bitter.  If it's too old, it's like a black peanut.  Just right and it's a bit tasteless but full of protein.  Almonds are tastier and they can be cracked in your mouth.  Same routine with the fuzzy skins though.

Thursday, September 25, 2014

The Sisters Brothers by Patrick deWitt


 
I felt like I was watching episodes of “Deadwood,” a 2004-2006 TV serial drama. That show pushed the limits, a decade ago, of violence and depravity on cable TV.  This also had a 19th century setting, Dakota in 1876, 25 years after the gold rush in California.  Things weren’t all that different from the lives of the Sisters brothers.


Our Gold Rush book had themes similar to the 1959 novel “Lord of the Flies” about people left to their own devices, resorting to violence as the solution to all problems. 
The prose, however, of the Flies book was of a much higher caliber than that of deWitt’s book. 


deWitt really wallows in the pig sty with the boy’s language and moral turpitude.  In Deadwood, they used to throw the bodies, sometimes not yet dead, into the hog sty for a quick cleaning up; the brothers would have approved of this no-mess burial.
The closest we ever get to any sort of tolerable character in this novel is in the depictions of the ever-present prostitutes with hearts of gold; unfortunately even their gold is money-lust and not compassion. 

This is deWitt’s claim to fame, I imagine, that he was able to complete this story without ever introducing a single character that wasn’t despicable and without saving grace.  The author also met the challenge of keeping the sub-plot lines simple, the thoughts and actions relentlessly kept at an uneducated, childish level.  The evil, sociopathic older brother controls the dim-witted youngster through a dozen vignettes and countless murders without either of them ever thinking beyond their next murder, meal or brandy.
One could argue that clumsy Eli is the mirror image counterfoil to evil Charlie.  They both lust after whores, but Eli tips well feigning chastity; Charlie’s gluttony is with brandy, but Eli tries a temperance diet for a day; greed drives their every move, but Eli gives to charity a lot; sloth is natural to them both, but Eli learns to have diligence in brushing his teeth; wrath strikes Charlie uncontrollably, but Eli has patience with Tub; Envy is Charlie’s burning passion, but Eli gives kindness to his whores; Pride dominates Charlie’s encounters with other people, Eli often retreats into simple humility. 
Seven deadly Sins, seven heavenly virtues.  They died, in any case, of ignorance.

Thursday, September 18, 2014

A Circle of Wives by Alice LaPlante


I am shocked, SHOCKED, that my sister has not yet passed this book along to me!  How did I see it first..!!  She always spots these sorts of books long before I do; me being up here in the hinterlands. 

She and my daughter, namesakes, Pat and Patricia, both have affinities to Palo Alto, Stanford, and the Sillycon Valley mystique. 

This is not a library book club selection so I will synopsize the story line.  Palo Alto PD has their youngest female detective (Sam)antha assigned to a seeming heart attack victim, and it turns out to be murder.  He was a middle-age plastic surgeon, Dr. Taylor, who’s rolling in dough.  Turns out he had multiple wives.

The multiple wives aspect allows the author to switch points of view from wive(s) to detective, which Alice LaPlante handles brilliantly.  I loved her style of writing.  The plot isn’t overly complicated but there are many people with motive.

The book has money, sex, and beautiful people in beautiful settings.  The author sticks to her own gender, painting each suspect and the cops with believable descriptions and sub-plots.  The action mostly takes place in the South Bay, Los Gatos, San Jose, and Palo Alto.

It’s a 300-page good read that I will return to the library now.

Friday, August 22, 2014

Rules of Civility by Amor Towles

Ah! the reverie of the Noir Thirties.  It’s still the favorite time of my life.  Ginger Rogers’ “Gold Diggers of 1933”; Billy Strayhorn’s “Take the ‘A’-Train”; Raymond Chandler’s “Big Sleep”;  Ruby Keeler’s “42nd Street;” and of course, “the ever popular,”  Mae Busch.
So, yes, this book successfully takes us back a few years in time, when there was hope. 
Life was sucky because most people were out of a job; there were wars all over the world; people were oppressed, suffering, and dying.  But the music, literature, movies, and other aspects of life, all held hope for a better world.  We don’t have that today: things are getting worse.  The planet is being destroyed, and technology has no answers; nations are still at war, and politicians have no answers; half the billions of the Earth are mesmerized by a sillycon soma chip, but find no joy nor answers in its pixels.  This month President Obama has called for installing hope and civility in the Middle East, as though we had spare boxes on the shelves of Safeway.



Back to the book.  I’m there with the author on plot, characters, period, and style.  There was concern as the action turned dour.  But the author’s admonition after the accident, “She’s going to be OK“, rested my fears.  I was back in fantasy-land, when Joan Crawford picked up Norma Shearer in the Bentley after shopping down Fifth Avenue[1].  “She poured herself a double.” “Whoa, don’t you think you should be pacing yourself?”  With perfect Chandleresque bon mot, Crystal replies “Don’t worry.  I’ve been practicing.”  I knew I was going to be rewarded with a Mary Astor in Napoli ending[2].
As the plot develops, protagonist Katey brings to my mind tallish Eve Arden[3], as a solid, reliable best-friend with acerbic wit and tongue.  The plotline is classic 30’s Broadway – smart, talented girl from the country goes to the big city to find … 
If I ever write a novel, that’s my plotline.  It’s my mother’s story as a small town Nebraska girl; her parents run the local newspaper; she graduates from Oberlin College as a Psych major in 1934.  What’s next?  Somehow she finagles a job with an advertising agency in Detroit as a bookkeeper for $12.50 a week.  Ten years later we’re in the midst of a war.  Detroit is the right city for the times; she married an up and coming Ann Arbor man who is now the sales manager for a key wartime machine tool business; she’s gone from Tillie’s girl’s boarding house at $6/week to a swanky Grosse Pointe mini-mansion raising two kids with the help of a day maid.  It’s my great American novel.
My mother prepped at Monticello Ladies’ Seminary, “When you educate a man, you educate an individual; when you educate a woman, you educate a family.”  She studied French and the piano, basic components at the time for civility. 

[1] The Women, 1939 [stage 1936]
[2] Dodsworth   1936  [stage 1934]
[3] Stage Door, 1937  [stage 1936]
 

Wednesday, August 6, 2014

Apple Tree Yard by Louise Doughty


For me, the summer harvest of new books has been splendidly verdant this year; or am I just reading more, and lucky?

This understated slow-paced crime novel was brilliant, as the British say.  The author holds a steady focus as she thoroughly explores the persona of Yvonne Carmichael.  The author uses the first hundred pages of this 300-page psychological study to slowly spin the web of a mid-life crisis affair.

Yvonne is happily married in a “normal” and stable relationship.  The married couple is each an upper middle class research scientist in the medical field.  The affair spins out of control in the second hundred pages and is finalized in the books last third, which takes place around The Old Bailey.

I love these books where the writing is mostly the thoughts of the main protagonist.  This is probably because I live alone and I am introverted, spending most of my waking time in thoughts about the activity around me.

Part of the out-of-control spin in the middle of the book has to do with Yvonne being raped by a co-worker.  She explores the possibilities of reporting the crime, but decides against that course of action.  Eventually she arrives in court for murder.  One of the reasons I loved the book so much is exemplified by the following scene, where she and her husband are talking to a $1000 an hour, cocky barrister who appears dismissive of rapes reality.  The cocky kid has just said, “The big problem in prosecuting sexual assault cases is the women never seem to fight back. It makes our job rather difficult.”
 
 
 
 
 
I am staring at Laurence so fiercely that it is only from the corner of my eye that I see Guy rise and turn.  Then I see that he has plucked a knife from the magnetic strip behind our stove and is holding the knife against Laurence’s throat. Laurence has frozen with his chin tilted upward. He has both hands raised slightly from the table. 
Guy’s voice is very calm. “What are you thinking now, Mr. Walton?”  There is silence. Lawrence has clearly decided it would be a good idea not to respond.
“Shall I tell you what you are thinking?” Guy says helpfully. “Would you like to know what is going on, right now, inside your head, biologically, I mean?” Laurence remains silent and completely frozen – he doesn’t even gulp.  Guy continues. “Here is how your brain functions in a situation of threat.  In your medial temporal lobes, you have a group of nuclei known collectively as the amygdala.  It’s part of the limbic system, but let’s not concern ourselves with that now.  In a situation of threat, the amygdala’s function is to tell you, as quickly as possible, to act in the way that will ensure one thing and one thing only: your survival.” “You also have a cortex that controls logic, but that doesn’t work as fast as the amygdala, as you are now finding out. Let me explain.” 
Guy doesn’t even draw breath. It’s how he lectures, I’ve seen it, point by point without a pause. “The logical part of your head knows there is not the remotest possibility that I am about to cut your throat,” He continues. “A: lots of people know where you are.  B: we are in my house and there would be blood everywhere.” “C: how would Yvonne and I dispose of your body? D: isn’t she in enough trouble as it is?
The logical part of your head knows that I am doing this only to make a point. But your amygdala, the instinctive part of you, is saying, screaming in fact: freeze, just in case, do the instinctive thing that will save your skin.  As I said, the amygdala works faster than the cortex, that’s how we’ve evolved.  In a situation of threat, particularly a situation where we are taken by surprise and there is no time to logically assess our chances of living or being killed, we are programmed to do whatever will ensure our survival. All we want to do is live, bottom line.  In any situation where the level of threat is unknown, the amygdala will trump the cortex, every time.”