The author
can’t get away with writing just for us locals; we only number a few thousand,
and far fewer who can afford $15.95 for a book.
So these tales are legitimate novels, probably selling better in New
Jersey than here in Guerneville.
Nonetheless, it’s nice to read about people and places, from Jenner to
Forestville, along the River.
The murdered
nameless dame is a tweaker who likes her speedballs a little too much. Most of the book’s characters only admit to
recreational marijuana, however the sexual mores along the river are depicted
as a wide-open, free sex community, reminiscent of the pre-AIDS 1960’s.
Our heros
(!?), an ex-detective and a vacationing P.I. are as milk-toasty as any two
Sisters of Perpetual Indulgence should be. These Laurel & Hardy figures must totally
confuse the East Coast readers who might be more used to Boston Parker’s P.I.
Spenser, or Chicago’s VI Warshawski.
So, as a
whodonit, who cares? The world might be
a better place without most of these degenerate deadbeats. But it’s probably fun for the eastcoasters to
get a glimpse at how really weird these Northern Californians truly are:
getting drugged up and reciting dead poets writings; never honestly working
unless you count prostitution and drug-dealing; spending most of one’s time
being stoned.
There was a slightly bit more drug-sobriety with “In The
Rough”. However, being slightly more
alert, the author dis’d most of the locals around Monte Rio, the scene of the
activity in this novel. As with “Dame”,
the more dramatic & violent scenes are fictional, but the underlying
premise holds true, River people hate government men, tax men, permit men. Basically, every one who isn’t local should
go away and stay away. Women are OK as
long as they aren’t in the above classes: government, tax, and permit. Moms, waitresses, working women, even
prostitutes are all a part of the community.
I’m so old I
remember going to the poetry readings at coffee and wine bars (age 20) along
upper Grant Avenue back in the fifties.
Not that I was into poetry at the time, but it impressed the hell out of
dates. I never did make sense out of
those guys, but later studied and liked the WW-I poets [Brooke, Owen, Sassoon],
they had something serious to moan about.
Eventually [I aged even further] I came to understand and
like 20th century poetry, alas a hundred years too late. I keep trying to learn the new idioms: haikus
and manga.
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